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- EVALUATION QUESTION 1 FORMS & CONVENTIONS
- EVALUATION QUESTION 2 REPRESENTATION OF SOCIAL GROUPS
- EVALUATION QUESTION 3 DISTRIBUTION
- EVALUATION QUESTION 4 WHO IS YOUR TARGET AUDIENCE FOR YOUR THRILLER FILM?
- EVALUATION QUESTION 5 ATTRACTING & ADDRESSING AUDIENCES
- EVALUATION QUESTION 6 NEW TECHNOLOGIES
- EVALUATION QUESTION 7 WHAT I HAVE LEARNED ABOUT FILM MAKING
- 2012 G322: INSTITUTIONS & AUDIENCES (FILM)
- BLOG TOOLS
Monday, 25 November 2013
CONSTRUCTION: NEW STORYBOARD
Today we decided to remake our storyboard for our film opening as our initial storyboard was not very detailed and did not display much information. Our new storyboard shows clearly what we want to film, where we intend to film the scene and what we need to film. Here are the photos from our new storyboard.
Sunday, 24 November 2013
RESEARCH: THE GIRL WITH THE DRAGON TATTOO
- We analyzed the opening of The Girl With The Dragon Tattoo (David Fincher 2011)
In the girl with the dragon tattoo opening, there are many images that are dark and disturbing. To start with there is an image of a thick running black liquid.
This provokes the feeling of drowning and makes the audience feel uncomfortable and distressed. Mixed with this you have a lot of images of the human form, first you have a prone body, the body has a restraining, metallic collar around it's neck. This is put together with an image of faces with black liquid spewing out of them, this adds to the initial theme of drowning. This shot is also revolting and shocking for the audience.
A key visual code is the computer keyboard and cables, as they signal genre and plot, we now know that somehow these elements are Incorporated into the film. Also the during the shots where the technologies is shown the opening titles still maintain the dark black background, which shows us that there role in the film could be negative.
Many of the images are distorted or manipulated. For example the cables are all tangled and the body's are positioned in uncomfortable and unnatural ways. This hints to the plot as it could suggest a tangled web of deception and intrigue which unravels as the story develops.
Accompanying this dark malevolent imagery, is a aggressive, unrelenting percussion music. this adds to the darkness of the opening as it sets the ambiance and creates a negative and frighting atmosphere.
A new frighting image is introduced of a body seemed to be set alight, this sudden introduction of colour shocks the audience.
Wednesday, 20 November 2013
PSYCHOLOGICAL THRILLERS IN TV AND FILM SCOOP-IT
- I looked at two different websites which compared and reviewed thriller movies and television. I liked them both as they provided different opinions on professional work as well as criticism. This helped me as I can try to adapt my film to avoid making mistakes as well as I can make my film appeal to the mass market.
Sunday, 17 November 2013
RESEARCH; GENRE
- I researched into thriller and crime in tv and movies. I looked at trailers of films such as Taken and down will come baby, ( both thrillers).
- I liked this shot from Taken as the camera becomes what the actor is looking and putting you directly into the movie, I felt that I could use this in my film for when the woman finds the doll.
- This over the shoulder shot from Down will come baby shows a woman restraining a child. The angle shows the womans domination over the child and the childs fear. I felt like this shot would work well for my film.
- I liked this shot as it clearly establishes that the woman is restraining the child and it makes the viewer feel uncomfortable.
- This shot would work well for me as it is a point of view shot, showing the woman fixating on an image of a child. The shot is very dark and sets the mood well.
- Lastly, this shot clearly tells to the viewer what has happened, I felt like this would be a great shot to end my film opening with as it creates a sense suspense.
SCOOP-IT
- Today I created a scoop it account to keep up to date with new information and to have it all in one place. It also enables me to use new technology in my work. Scoop-it also has an inter active feature, which allows me to go directly onto certain websites that link to what im researching.
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MY HOME PAGE ON SCOOP-IT |
Friday, 8 November 2013
EXAM PRACTISE:FINGERSMITH
This extract starts with an establishing shot, showing both
females in an old fashioned, Victorian style room. This sets the time period.
On top of this both women are wearing Victorian dresses with hoop skirts, although
one of the women, (Maud) is dressed and looks like a wealthy aristocratic
female and the other, (Sue) is wearing a less extravagant outfit and appears to
be of a lower class to Mord and be beneath her.
In the second scene, showing a close up of the two women’s
faces as Maud holds an expensive, extravagant gown in front of Sue in the
mirror. There is a clever use of editing; a voice over, of the thoughts and
feelings from the character of Maud. This tells the audience of Maud’s desire
and fascination with the character of Sue. As the first thing the audience hear
is, ”she was so beautiful, but I had to keep telling myself …”, this instantly
tells the audience that Maud’s feelings towards sue are romantic and sexual,
but also inappropriate. This then cuts to a mid-shot of the two women looking into
the mirror. In this shot we see Sue’s face in the reflection. This shows her facial
expressions; she is clearly showing a hopeless longing for the woman as she
stares at Sue’s reflection. There is then a cross fade into the next scene showing Maud
alone at a desk, the sound in this scene is a soft, light and classical music,
playing, which suggests the feeling of love and happiness. As this is played
during Maud’s voiceover about Sue, it links the two ideas of love and Sue; thus
suggesting that Maud is in love with Sue. The fades between the next two shots are slowed down and
merged into one another, this conveys the sense of longing and fantasy, as it
is as if we are the character of Maud staring at Sue and seeing her move in
slow motion, to highlight how amazing she is to her.
Thursday, 7 November 2013
RESEARCH: DON'T LOOK NOW
Today we analysed Don't Look Now (Nicholas Roeg, 1973.) Although this is a slightly older thriller in comparison to The Girl With the Dragon Tattoo, it is still completely effective in demonstrating thriller codes and conventions.
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